TYPE + CODE Series, since 2005.
It is a collection of the typographic research by using computation. It explores the aesthetic of experimental code driven typography by using Processing created by Ben Fry and Casey Reas. Initially it began with my MFA thesis, TYPE+CODE, at Maryland Institute College of Art, in 2007, and then, it has extended to my lifetime research project since I graduated. Through TYPE+CODE II, I have experimented with traditional and cultural oriented calligraphy to reinterpret into modern and contemporary typography with the computer codes. It crosses boundaries between calligraphy, graphic art, typography, and computer art. I use letterform, words phrases, and sentences to explore innovative typographic forms and solutions by using mathematic expressions, computer algorithms such as Binary tree and L-system and libraries. They convey diversified visual messages inspired by nature, addressing environmental issues such as green design, healing through arts, exploring philosophical and religious interpretation regarding life, death and love. The updated version, TYPE+CODE III, shows the possibilities of an extension of the aesthetic of code driven typography from cyberspace to physical space by using digital fabrication and various mediums. Floral typography (TYPE + CODE IV) is a design trend that combines typography, calligraphy and lettering with floral elements. It is a computational typography system to explore legible, expressive and narrative typography with floral elements. It shows how a custom illustration can be embedded into a selected typeface to explore legible and expressive typography in a generative system. Typography is a form of art to make written language expressive by using letter forms and text. Based on the type choices, different emotions and moods can be visually expressed through the generative selfies. TYPE + CODE V (Typographic selfie + CODE) is visual research with diverse typefaces to embed visual expression into generative selfies.
For more information: http://www.typeandcode.com



ABOUT

BIOGRAPHY

ARTWORKS

Immersive Healing Journey Series
동동(Dong-Dong): Creator's Universe
憧憧, 동동(Dong-Dong) in Chinese
두둥두둥 1.0 | 두둥두둥 2.0 | 두둥두둥 3.0
IMMSERSIVE HEALING
BELONGING & TRUST
PSLAM 23+ CODE Series
Korean Flag Redesign: 그래서 펼치다展
Flowers Too (꽃들도)
TYPE PORTRAIT
HOPE | Fear | 한 (Han)
LOVE 2.0 | LOVE 3.0 | Love2025
Spring 2023 | RAIN(雨)
Martial Law in South Korea 2024
Windy City 2024 | Chicago Christmas 2024
O Anthiphone + CODE Series

PROJECTS

Koreans as Design Medium
New Contemporary Visual Narratives for the Sacred Text
Design for Social Health & Healing
Creative Graphics at the ISEA2025
TYPE + CODE Series
SOCIAL HOMELESSNESS ON US CAMPUSE
EVOLVING GRAPHIC DESIGN
HANGUL ALPHABET

Book Publication

Giving Type Meaning
Experimental Type 1.0 & 2.0
Type on the Screen
Graphic Design: the New Basics
TYPE+CODE Processing for Designers
PRINT Magazine
The New York Times Magazine

JOURNALS

TYPE Portrait
Social Homelessness on US Campuses
Evovling Graphic Design
Floral Design +AR/XR