New Contemporary Visual Narratives for the Sacred Texts, CAA Annual Conference 2026 Session, Chicago, IL

Session Co-Chairs: Huiwon Lim, Iowa  State University, Hye Yeon Nam, New Jersey Institute of Technology
Discussant: Viviana Cordova, Lecturer, Towson University, Towson, MD and Former Associate Professor at the University of Maryland, Baltimore, MD

Session Abstract: The Bible is an unparalleled collection of texts and scriptures that is considered a testament to divine inspiration and a record of the relationship between God and humanity for Christians, Jews, and Samaritans. Its influence on literature and history in the Western world is profound and has shaped the very fabric of our modern society. Despite being one of the best-selling and most influential books of all time, it has been predominantly excluded from the contemporary visual narratives and practices in American secular higher education. This exclusion has been impacted by secularism, which advocates separating religion from a country's social and political activities, including public education. To address this issue, the session will present and discuss contemporary graphic and digital art influenced by the Old and the New Testaments. The session will showcase diverse contemporary graphic artworks rooted in historical and spiritual calligraphy, typographic storytelling for female activism, extended realities (VR/AR/XR) with Psalm 23, Robot Art, and artificial intelligence modified by biblical stories. It will broaden and extend academic doors, offering graphic designers a privileged chance to explore the profound influence of the Bible in 21st-century contemporary typographic art. 

Panelists:
Dr. Leslie Atzmon, Full Professor of Graphic Design and Design History, at Eastern Michigan University
Dr. Hye Yeon Nam, Associate Professor, College of Architecture and Design, New Jersey Institute of Technology
Alma Hoffmann, Associate Professor of Graphic Design, Department of Art & Art History, University of South Alabama
Yeohyun Ahn, Assistant Professor, Graphic Design, Art Department, University of Wisconsin-Madison



ABOUT

BIOGRAPHY

ARTWORKS

Immersive Healing Journey Series
동동(Dong-Dong): Creator's Universe
憧憧, 동동(Dong-Dong) in Chinese
두둥두둥 1.0 | 두둥두둥 2.0 | 두둥두둥 3.0
IMMSERSIVE HEALING
BELONGING & TRUST
PSLAM 23+ CODE Series
Korean Flag Redesign: 그래서 펼치다展
Flowers Too (꽃들도)
TYPE PORTRAIT
HOPE | Fear | 한 (Han)
LOVE 2.0 | LOVE 3.0 | Love2025
Spring 2023 | RAIN(雨)
Martial Law in South Korea 2024
Windy City 2024 | Chicago Christmas 2024
O Anthiphone + CODE Series

PROJECTS

Koreans as Design Medium
New Contemporary Visual Narratives for the Sacred Text
Design for Social Health & Healing
Creative Graphics at the ISEA2025
TYPE + CODE Series
SOCIAL HOMELESSNESS ON US CAMPUSE
EVOLVING GRAPHIC DESIGN
HANGUL ALPHABET

Book Publication

Giving Type Meaning
Experimental Type 1.0 & 2.0
Type on the Screen
Graphic Design: the New Basics
TYPE+CODE Processing for Designers
PRINT Magazine
The New York Times Magazine

JOURNALS

TYPE Portrait
Social Homelessness on US Campuses
Evovling Graphic Design
Floral Design +AR/XR